William Wycherley’s The Country Wife Essay -- William Wycherley Countr

William Wycherleys The commonwealth Wife A Restoration comedy is like an eighteenth-century sitcom its entertaining (MacKenzie, Behn). However, the similarities between the two genres atomic number 18 more far-reaching than their equal enjoyment value. For example, the cast of William Wycherleys Restoration comedy, The nation Wife, consists of some central timbers that are strikingly similar to those in the cast of the modern situation comedy, Seinfeld. blight Horner from The Country Wife and George Costanza from Seinfeld both fit the male wit character type. Likewise, Lady Fid get in, one of Horners lovers, and a nonher woman, whos one of Costanzas fleeting lovers, both fit the female wit character type. done the interplay of these characters, the Restoration comedy and the situation comedy both assert the supreme power of the female wit, when compared to that of the male wit. Wits of both genders are characterized by their skill at lying, hiding their lies from the pu blic, and seeking and obtaining selfish, short-lived pleasures they are too characterized by their discerning nature and their gambling nature of risking losses to get gains (MacKenzie, Wycherley). However, female marbles are more powerful than male wits when they take risks to secure pleasures because female wits are not compulsory to hold down a job or pull ahead bullion they gain greater returns from the risks they take, than men do, and they never risk losing their honor. First, female wits are more powerful than male wits because they are not required to hold down a job or earn money. Lady Fidget and Horner illustrate this assertion through their interactions in The Country Wife, and another woman and Costanza illustrate it in an epis... ... the social rules that do not require a woman to work, or that prohibit her from working, paradoxically put forward to make female wits more powerful than male wits. confederacy provides women with ample let go of time to pu rsue pleasure, and their interdependent cohorts provide them with the free reign to do so. As a result, these powerful female wits take more selective, calculated risks than male wits do they in any case gain greater returns, whether they appear in an eighteenth-century Restoration comedy or a twentieth-century situation comedy. Works CitedMacKenzie, Scott. Behn, Oroonoko. Seventh Class Meeting. English 260. Davidson College. 8 Sept. 2004. MacKenzie, Scott. Wycherley, The Country Wife. Ninth and Tenth Class Meetings. English 260. Davidson College. 10, 13 Sept. 2004.(Textbook). The Subway. Seinfeld. NBC. 8 Jan. 1992.